Robin Quinn | The Man Who Broke The Bank

The Man Who Broke The Bank - Cover Image

THE MAN WHO BROKE THE BANK AT MONTE CARLO

About the book

Essential reading for lovers of Victorian true-crime stories. The book takes readers on a roller-coaster ride through Britain, France and Monaco in the company of one of the greatest swindlers of the era as he pulls off one breath-taking coup after another. His amazing win at Monte Carlo is just one of many highlights in this true story, which reaches a climax when Wells is pursued across Europe in one of the biggest man-hunts of all time.

The Man Who Broke The Bank
Hardcover; e-book
Published:
2016
Publisher:
ISBN:
9780750961776

Order now: Amazon, Waterstones, WHSmiths, iTunes.
Read excerpts on Google Books.

Now available as an audio book on CDs
And as an audio download

audiobook
Newspaper clipping: MONTE CARLO WELLS was for the time the most famous man in Europe.  He eclipsed every other social notable.  His wealth was supposed to be immense, and everything he touched turned into gold.  He became the theme of every music hall and pantomime ditty.  No comedy of the day was complete without a reference to the man who broke the bank. [AUCKLAND STAR, 31 MARCH 1906]

FACTFILE: Charles Deville Wells aka ‘Monte Carlo Wells’ aka ‘The Man Who Broke The Bank At Monte Carlo’

Fact #1Fact #2Fact #3Fact #4
In 1891, during two visits to the Casino at Monte Carlo, Charles Deville Wells broke the bank several times and won £60,000 (equivalent to £6 million today). The present owners of the Casino admit that his success has never been satisfactorily explained. In ‘The Man Who Broke the Bank at Monte Carlo’, author Robin Quinn sets out the possibilities .
The Casino at Monte Carlo
To ‘break the bank’ means to clean out the cash reserve of the gambling table in question. Each table was stocked with 100,000 francs in cash at the start of each day. If a player ‘broke the bank’, that table was temporarily closed and was covered with a black cloth.
The steam yacht Palais Royal, formerly Tycho Brahe
Soon after he broke the bank, Charles Deville Wells bought an old cargo ship, the Tycho Brahe, and converted her into a luxury yacht, re-naming her Palais Royal. At 291 feet in length, the vessel was one of the largest pleasure craft in the world. Even today, she would be in the top-50 of yachts in terms of size.
After Charles Wells broke the bank in 1891, his exploits inspired composer Fred Gilbert to write a song entitled – naturally – The Man Who broke the Bank at Monte Carlo. This became the hit song of a generation and remained popular for well over half a century. The singer most closely associated with it, Charles Coborn, made at least five separate records featuring the tune, and once said he had performed it on stage a quarter of a million times.

Blog: The Man Who Broke The Bank

  • The History Press Newsletter

    casino

    The History Press recently invited me to write a piece about Monte Carlo and the origins of the casino for their monthly newsletter, which is out today.

    Other articles this month include:

    You can sign up to receive every edition of the History Press newsletter here.

     

  • Writing influences

    A factor that has shaped my writing style is my work as a radio producer and script-writer: this was my full-time occupation for over ten years and something I am still engaged in, though to a lesser extent than in the past.

    A rule when writing for radio is to write as people speak.  So “it is” becomes “it’s”; “does not” becomes “doesn’t”.  In everyday speech sentences don’t always have verbs.  Really.  But although radio scripts are better when they closely follow the way we speak, this principle should be used in moderation in a factual book.  If overdone, it is likely to irritate the reader.

    In matters of vocabulary, I prefer to err on the side of simplicity.  Few of us know the meaning of the words “imbricate”, “mangonel” or “zymurgy” and authors who manage to shoe-horn them into their writing are either crediting us with a wider vocabulary than we actually have or – more likely – are simply showing off.  And I feel the same way about writers who use Latin and Greek phrases and sayings.  As a schoolboy (long ago!) I had to study Latin, most of which I have never had to use and have now forgotten.  Greek was not taught at our school.  And a knowledge of these languages is even rarer today.  So remember, using obscure language is contra bonos mores — (contrary to good manners)!

    Writing for radio taught me how to use interview material.  In a book – especially a historical one – the equivalent of an archive audio interview can be a quotation from a newspaper of the period, or a passage from another book.  I like to ensure that the narration guides the listener/reader through the story, providing a factual background for individual events and reminiscences.  The actual words spoken by witnesses are often best used to convey more subjective ideas, such as the speaker’s impressions and feelings:

    After his unfavourable first impressions of Britain, Henry Metelmann also came to see things in a different light.  The turning point came when he was being moved to a camp near Romsey, Hampshire, and watched the countryside rolling by as he gazed out of the train window.  ‘In many ways England was a strange country.  That narrow channel of water seemed to have made much difference over the centuries.  Most things seemed small and old-fashioned.  The rows and rows of houses in the towns, with their small backyards and gardens, seemed cramped.  The people were friendly enough, but strangely reserved, and life generally had an unhurried flow, so very different from America and the Continent of Europe.  And yet, there was something likeable about it all … Those [prisoners-of-war] who lived out on the farms had very good relations with the farming people, and on the whole were treated very well … I was transferred to an out-camp in a beautiful old country house called Hazelhurst, near the village of Corhampton.  It did me much psychological good, as it gave me a feeling of freedom which I had not had for many years.’  [From Hitler’s Last Army, page 201].

    The quotation also serves to amplify and reinforce what has been said in the lead-in, while at the same time introducing independent evidence for the author’s statements:

    Even his longest-serving employees had no real idea who he was.  Monsieur Coste told a correspondent: ‘The man was a mystery.  He never spoke to anyone.  He didn’t have any friends, male or female.  He opened all his mail himself, and kept any money he received to one side.  He was out all day — I don’t know where.’  [From The Man who Broke the Bank at Monte Carlo, page 181]

  • Expansion of the Casino

    While I was writing The Man who Broke the Bank at Monte Carlo I found it difficult at first to picture the layout of the Casino when Charles Wells went there in 1891-2.  Then I discovered this plan in a book from 1912: it shows how the building was expanded over the years by adding new extensions.

    The centrally-located Salle Schmit dating from 1898 is probably where Wells broke the bank at roulette on his first and second visits (in July-early August, and early November respectively.  It was known at the time as the Salle Mauresque — ‘the Moorish Room’ — a reference to its Eastern décor).  The Salle Garnier (shown here to the left of the Salle Schmit, and named after architect Charles Garnier) was principally used for the card game of trente-et-quarante, which Wells also played sometimes.  The Salles Touzet — still further to the left  — were begun in 1889, but were closed during both of Wells’ 1891 visits so that finishing touches could be applied to the decorations.  They were re-opened immediately after the second of his forays.

    (See The Man who Broke the Bank at Monte Carlo, especially pages 62-65, 83-86 and 231-235).

    The Casino at Monte Carlo showing additions to the original building over time
    The Casino at Monte Carlo showing additions to the original building over time
  • 105 Uckfield FM

    My recent interview with Lynn Briggs on 105 Uckfield FM is now available to listen to on the home page of Uckfield FM.

    Click HERE to listen.

  • Sunday Express – read all about it!

    I was delighted to read an article about Charles Deville Wells – based on my book – in yesterday’s Sunday Express.  If you missed it, you can read all about it…  here.